ANTI-SKATE ADJUSTMENT - The Perfect Setting For Optimal Vinyl Playback - Vinyl Community
37K views · Feb 2, 2019 · People & Blogs
Comments · 196
@albertwilliams706 · 7 years ago
Absolutely brilliant! This explains a lot. I always thought my TT sounded better with a lower value. Thank you!
3
@septiseptimiu8287 · 3 years ago
I always use to set antiskating according to the test record. I lower the VTF at half recommended than i play the test tone and look for buzzing to be equal in both channels! On my AT-LP140xp with a tracking force of 2gr using a AT95E cartridge i ended setting the antiskating at 0.8 and not 2 as producer recommends and which is wrong! It plays fantastic! Thank you for the video! 👍
2
@m-howl5028 · 7 years ago
Love these "know-how" tip videos of yours, Paul. I need to do a complete re-set-up. Thanks for taking the time to do these! Mike
1
@watsoniusz · 7 years ago
Classic Paul and helpful as always 😎😉 Good to se You again 🍻
1
@funghoul9124 · 7 years ago
this was a great video.....thank you for explaining so thoroughly this subject......i always wondered if there was a way to measure anti skating but i trust your experimentations......good work and thanks for the help
@PaulCurry-q9j4r · 1 month ago
Your theory on reducing the anitskate by 25% from the manufacturers recommendation works for me. I have a Technics SL1500C turntable and a Nagaoka MP-200 cartridge. Nagaoka suggest a stylus force of 2.0 to 1.5 gr but the sound I like best is with a tracking force of 1.65gr and antiskate at 1.05 to 1.1 . I initially setup the anit-skate using the Analogue Production's "The Ultimate Analogue Test LP" anti-skate test track and an oscilloscope. I ended up with the above setting which agreed with your set up theory. Thank you for your great video. 👍
@jim_wicks · 4 years ago
Hey all, Peter Ledermann of Soundsmith is an anti-skate advocate of the procedure used by Frank Schröder, the famous tonearm designer. According to Peter, “what he (Frank) did was he took a stylist and he dropped it down at the end of the record between the runout grooves, not in the run-out groove at the end of the record, but on the surface, the top of the record where the record is mirror smooth. Now, when you drop a stylist there, it's only going to stay there for a moment before the end groove picks it up. But if you observe the arm at that time and you get the anti skating adjusted so that the tonearm moves inwards towards the spindle slowly, that's about the best adjustment you can do for anti-skating. It's the best compromise."<br>I tried it, and it seems to work very well. To my ears, my records now sound more balanced, and the sibilance is gone. After setting the anti-skate this way, I did as Paul suggested and checked. He is correct: the new tracking force is 25% lower than that recommended by the manufacturer. Have any of you tried Frank Schröder's method? I'd be interested in knowing what results you all got.<br><br>btw .... if you are interested, Peter's video is here: <a href="https://www.youtube.com/watch?v=6pmD1gIL_cU&t=575">https://www.youtube.com/watch?v=6pmD1gIL_cU&t=575s</a><br><br>And thank you Paul!<br>Cheers, J
2
@francisborms2324 · 7 years ago (edited)
Echt fijn met jou te kunnen bijleren. Ga zeker wat uittesten met de anti-skate settings. Bedankt Paul.
@evanauster7325 · 4 years ago
Love this!!!
@TechCrazy · 3 years ago
I used a "Test record" by Tacet where they have a track to test tracking force. The way they test is to play a certain frequency with increasing volume and look for distortions in both channels. I tried that recently and found that reducing the tracking force than the recommended value lowered the distortions. So you maybe right on this one.
1
@CoreysChannel · 7 years ago
Excellent video. I always worry about buying records with groove damage. I heavily research information online specifically for the turntables I use. A small adjustment can make a big difference.
1
@Cage_is_in_a_cage · 7 years ago
Great video! Thank you
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