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THE LIE AUDIOPHILES TOLD FOR 40 YEARS

480K views · Apr 26, 2026 · Entertainment

Comments · 1.8K

  • @michaellonkouski · 5 months ago

    Those of us that grew up with loudness button, always knew the value. At lower volumes it was ALWAYS on!

    568

  • @levistoner · 5 months ago

    It is easier to fool a man than it is to convince him he has been fooled.

    121

  • @randyzingaro9992 · 5 months ago

    Love loudness control, love tone controls, love EQ's. Those that say they are sacrilege, can eat my shorts.

    269

  • @rmhartman · 4 months ago

    So the "loudness" button was basically a preconfigured graphic equalizer.

    73

  • @scottb3372 · 5 months ago

    Yamaha Loudness Control saved my marriage

    345

  • @kellywilson2858 · 5 months ago (edited)

    I am now a recovering Audiophile. I drank the Coolaid for a while but now I have resigned to just listening to my music. The ideology includes tone controls and yes, the loudness control and now I really enjoy my music once again.  Thanks for exposing the Elephant in the room, Randy !

    10

  • @ChiefFalque · 4 months ago (edited)

    "less than a tank of gas" is getting more and more generous a budget every day

    4

  • @herbward5240 · 5 months ago

    Yamaha was the first company to realize that  a variable loudness control was necessary as we all hear differently at various volume levels. I spent a year in the psycho acoustics lab at my college doing my senior thesis. And it is indeed a fact, that we as humans, all have significant hearing differences within a typical population .

    116

  • @albey1816 · 5 months ago

    The biggest "CON" of all is a $20,000 HDMI Cable 🤣🤣🤣

    51

  • @mattjones1512 · 5 months ago

    This video is incredibly valuable. A lot of people will resist this, but the difference is so, so clear. For me, it’s the biggest night and day difference in my system. More than speakers, amp, deck etc. I live in a flat in London and that loudness button is on constantly. People won’t like it because you can get a great vintage amp with loudness for a couple hundred dollars. But to hear you explain this - correct tone, rather than ‘pure’ tone - is going to open so many people’s eyes 🫡

    26

  • @karenfurno2021 · 5 months ago

    Retired live sound engineer here. I've been building amplifiers and speakers since I was a teenager, always in a quest for flat, full range sound. But once I became a sound engineer, I learned the name of the game is "know what you want, and know how to get it". I'm not shy about applying whatever EQ I need on any channel or main PA until each instrument sounds how I think it should. The physics of mics, rooms, and pickups apply huge changes to instruments and voices, well beyond the tiny fraction of a percent distortion in the equipment chain. I use my skill and experience to know how a piano or an oboe is supposed to sound, and I work to get than in the audience space.  I've gotten plenty of compliments on my mixes. Engineers put their artistic stamp on their mixes, like every performing artist does on stage. Why shouldn't listeners? Don't be shy about crafting a sound in your room that brings you joy and excitement. I use variable loudness compensation all the time at all volume levels, and people tell me how much they like the warm and full sound I create. Get a multi band parametric equalizer and use it to create your best expression of beauty in your music.

    44

  • @Ranter-cy5dn · 5 months ago

    Love the loudness switch on my Sansui AU amps !

    38

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