DRUNKEN 14 Min Song was a DISASTER…Till He Played it LIVE…Became #1 SELLER EVER! | Professor of Rock

Coming up, we’re temporarily trading in the studio album cuts for the “in concert” experience. On this episode, we’re counting down 7 classic live tracks that have surpassed their original recordings. Classic songs that are even better in concert. We’ve got the story of Peter Frampton, who woke up with a wine glass in hand after a heavy night of drinking. He took one look at himself and wrote the iconic hangover track Do You Feel Like We Doin minutes… But it didn’t become a hit till it was done in concert, and then it became the biggest-selling ever. There’s also the legendary song written by Stevie Nicks for Fleetwood Mac's Rumours. But the rest of the line-up voted to make it a B-side instead. Two decades later, she got her revenge on stage as she sang this song while staring down her bandmate and ex-boyfriend, and it made history. Plus my favorite song of all time that only gets better when it’s done in concert, as well as Bob Seger's Turn the Page which wasn’t a hit. In fact, the album hit #188, but a powerful solo on a live version years later made it the most chilling song of its time. Let’s do it. ----------------------------------------------------------------------------------------------------------------------- Executive Producer Brandon Fugal Honorary Producers Frank Kuna, zachery perry, Shayne Smith, Tom Stokes, Walter O. Wright II ----------------------------------------------------------------------------------------------------------------------- Subscribe to the Professor of Rock Podcast Apple: https://apple.co/445fVov Spotify: https://spoti.fi/42JpfvU Amazon: https://amzn.to/44b5D6m iHeartRadio: https://bit.ly/444h8MO ----------------------------------------------------------------------------------------------------------------------- Patreon: http://bit.ly/ProfessorofRockVIPFan Merch Store: https://professor-of-rock-lsn-shop.fo... Instagram: https://bit.ly/Instagram_Professor_of... #classicrock #80smusic #vinylstory #pinkfloyd Hey Music Junkies Professor of Rock always here to celebrate the Greatest artists and the greatest songs of all-time if you ever had Spagetios for dinner you’ll dig this channel of deep musical nostalgia make sure you are subscribed and make sure to like comment and share this so we can keep the channel going. Okay, let’s get this countdown started at #7 with Do You Feel Like We Do by Peter Frampton. And this might be one of the best examples of how a live version of a song can completely bury the original. Do You Feel Like We Do first showed up on Frampton's May 1973 album Frampton's Camel. And the backstory of how it got written is just too good. Peter Frampton woke up one morning wrecked from a night of heavy drinking with his bandmates… with a wine glass still in hand! His head was pounding. But instead of closing his eyes and sleeping it off, Peter picked up a pen and started writing. The opening line — "woke up this morning with a wine glass in my hand" — wasn't poetic license. That was just the truth. Said Frampton, "It was a very bad hangover… the lyrics just came right out, and they're probably the most iconic lyrics I've ever written.” The music came together just as spontaneously. Frampton was jamming with the band when he stumbled onto that now-famous opening riff. According to Peter, everyone in the room just stopped and looked at each other. They told him, “Wind it back 45 seconds.” It was written almost by accident, the last song to make the Frampton’s Camel album. The 1973 studio version is a solid track, a tight, 6-minute jazz-rock piece with real personality. But solid and legendary are two different things. And the studio version would soon be superseded on June 14, 1975, by a legendary offering at the Winterland Ballroom in San Francisco. Frampton has always said there was something specifically electric about Winterland that night — something in the room he could never manufacture in a studio. That night’s performance, along with a few other shows, would be chronicled on Frampton Comes Alive!, a double live album released on January 15, 1976. The live version of Do You Feel Like We Do runs 14 minutes, over twice as long as and the Camel studio cut. And that extra time isn't filler, it's the whole point. Where the original was structured and controlled, the live version wanders and builds. Frampton stretches out the instrumental sections, lets the tension simmer, and gives the song room to become something genuinely immersive. Said Frampton, "The studio version was just a song. But the live version became an experience that I couldn't have captured in a booth.” Plus, there's the talk box. On the studio version, it's a subtle touch. A cool effect. Live, it became the centerpiece of the performance. Frampton coaxed his guitar into something that sounds unmistakably human, asking the crowd directly: "Do you feel… like we do?" And the crowd roars back. That back-and-forth locked in this strange, conversation