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The Invisible Line That Ruins Your Lighting

53K views · Sep 8, 2026 · Film & Animation

Comments · 65

  • @shawzzzz9361 · 3 weeks ago

    Thats my work haha, thanks for the breakdown, wonderful as always !

    64

  • @paulcervenka · 6 days ago

    I really appreciate the people who offer up their work to be critiqued. This is SO instructive. We are all getting better because of it! Thank you!

    1

  • @anthoni8337 · 2 weeks ago

    Haha I love how it genuinely doesn’t matter to a real consumer! But to you every little thing is the biggest thing in the world!

    4

  • @malachimawhinney7334 · 10 days ago

    this is so good, thank you for these breakdowns. Keep them coming!

  • @TheJadedFilmMaker · 3 weeks ago

    lol. tell that to wedding photographers.

    7

  • @asrieljaksa · 3 weeks ago (edited)

    I was on my first narrative short-film last year as a DP and made the mistake of shooting the wide on the opposite 180 than the close ups, and close ups were on the light side. Worst part was the The gaffer pointed it out to me 🤦‍♂never again

    15

  • @49riddickful · 2 weeks ago

    Short, precise, actionable advice with the clear potential to make a real difference when implemented, great vid.

    1

  • @brandonklemets · 2 weeks ago

    you get 7 minutes? Lucky. I was only given 6 so they could add "waiting on lighting" as a line item

    2

  • @komandos429 · 2 weeks ago

    I would love to hear a critical review of “POLAND. More than you expected | Episode 1: Warsaw.” The spot has received a lot of very negative comments in Poland, so I’m curious to hear how it looks from a professional perspective.

    1

  • @BobbyB-o5s · 2 weeks ago

    The outer has floated into you goddamn that hit

  • @ugurongel3066 · 2 weeks ago

    Very usefull tips , thank you very much for your detailed explanations

  • @EricBatesImages · 2 weeks ago

    <a href="https://www.youtube.com/watch?v=Vh57AzSog7Y&amp;t=232">3:52</a> 🤣 &quot;which is... mmmm.. ok.&quot;&quot; &nbsp; &nbsp; &nbsp;I&apos;m *dying*.

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