The Chord That Ended Classical Music
245K views · May 1, 2026 · Entertainment
Comments · 971
@theartofstorytelling1 · 4 months ago · pinned
Suggestions for interesting pieces of music I should cover?
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@alfalfafield · 4 months ago
A friend and I tried to cover John Cage's 4'33'' as a duet for piano for a high school talent show...it didn't go well lol, the audience got pretty unruly
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@liamhemmings9039 · 4 months ago
Using Stravinsky over the Star Wars clip was a brilliant and cheeky move. Excellent, informative and utterly unpretentiousness as usual. Bravo.
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@jameseisaacs · 4 months ago
The Tristan Chords move to Dominant Seventh chords - and we finally DO get a resolution 4 1/2 hours later, when the two lovers are finally together, in death.
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@jake6112 · 4 months ago
I was expecting the Tristan chord. Also groundbreaking and outrageous to the first audiences to hear it!
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@rumi9005 · 4 months ago (edited)
My sister and I were in our early teens and visiting London (UK) in 1963.<br>Our father had introduced us to composers like Beethoven and Haydn and such so we were not total newbies to 'classical music' at that point. --- The 'Promenade Concerts' (at the Royal Albert Hall) were happening and we decided to see if we could get in. Of course, they were sold out and had been for months. But there were a couple of seats together ('up in the 'Gods') for only one concert. And the main piece was Stravinsky's 'The Right of Spring'. We'd never heard of it and barely knew the name Stravinsky at that point in our lives. But beggars can't be choosers and we bought the tickets anyway.<br>I forget what was on the rest of the program but when they started playing 'The Right of Spring' I was totally taken aback. This was like nothing we'd ever heard.<br>That opening was shocking, yet amazing. It just grabbed your attention.<br>I bought an LP of 'The Right of Spring' a few years later. And on the other side was Stravinsky's 'The Soldier's Tale'. Which for a time actually became my favorite piece of the two!<br>One more thing! We didn't know, before or during the concert, but Stravinsky was actually in the audience for that performance.<br>He walked out onto the stage and was introduced by the conductor, Pierre Monteux. And got a standing ovation, of course. It was exactly fifty years, to the day, since the piece was first played in Paris in 1913. - Which led to riots in the theatre at that time. And the conductor, Pierre Monteux, conducted that performance, through the rioting, too.
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@TimothyZhou0 · 4 months ago
The joy on Stravinsky's face as he bangs the chord out just made my day XD <a href="https://www.youtube.com/watch?v=CCOZ2TSeJv8&t=777">12:57</a>
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@TimCampbellVO · 4 months ago
Hey one for us classical musicians! Thanks for taking me straight back to Music History 570...except I stayed awake for the entire video! Cheers!
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@brianmessemer2973 · 4 months ago (edited)
The Stravinsky Rite of Spring Chord: Eb7/Fb Major. Artful storytelling indeed. I’m a music theory teacher and I’ll certainly show this to my class at some point. I love that you utilized the interdisciplinary approach of Bernstein’s ‘73 Norton Lectures at Harvard. Those are still the greatest music lecture series I’ve ever encountered, despite the 23 years since they first broke my brain as an undergraduate. His approach of applying Chomsky’s linguistics framework to understand musical grammar is inspired thinking. An incredible demonstration of an immense intellect. Highly recommend those lectures to any serious musician.
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@ernestitoe · 4 months ago
Most people seem to use the term "classical" to mean anything played by an orchestra. I use the term "orchestral." Frank Zappa wrote orchestral music that wasn't anywhere near classical.
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@jamesmitchell6925 · 4 months ago
<a href="https://www.youtube.com/watch?v=CCOZ2TSeJv8&t=149">2:29</a> I laughed when you showed that image of Beethoven
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@ThomasGanterPrien · 4 months ago
Leonard Bernstein famously described the opening chord of Richard Wagner's Tristan und Isolde as the pivotal moment that revolutionized music, acting as the gateway from traditional tonal harmony to the chromaticism and eventual atonality of the 20th century.<br><br>There is no Stravinsky without Wagner. <br><br>And the resolution of the Tristan chord is not postponed indefinitely, only for about four and a half hours.
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