Aspect Ratios | Tomorrow's Filmmakers
912K views · Nov 16, 2018 · People & Blogs
Comments · 1.4K
@dmerino09 · 6 years ago
In the INTERSTELLAR movie they switch to IMAX when there are scenes from space and the ship.
321
@Hyraethian · 6 years ago
Michael Bay: Grab that camera for me.<br>Assistant: which one sir?<br>Michael Bay: <b>*gestures vaguely*</b>
658
@Amstelchen · 7 years ago
There is no 4.3 AR, it's 4:3 which is, as you stated correctly, 1.33. Also, 4096x2160 is not 16:9, it's <a href="https://www.youtube.com/watch?v=BdPsyLtlamM&t=1150">19:10</a>, aka 4K. Cut away 256 pixels and you get 16:9 (mostly consumer) UHD. Also, regarding 35 mm film stock, most prints with anamorphic projection were vertical pulldown, opposed to what was shown in your animation.
480
@sky-squaddancecrew8782 · 6 years ago
The history wasn’t boring. It was the best
76
@JCHStudios · 7 years ago
I love that scene in Pirates of the Caribbean where the ghost pirates are marching under water toward a ship and the film makers used the black bottom of the ship and it's shadow on the ground to to widen the aspect ratio and make the scene feel more epic, and then let the pirates walk through the shadow, appearing to step out of the screen! Gosh, that was so creative!
574
@joehaley1147 · 6 years ago
"Hey Michael, which aspect ratio were you planning on using?"<br>"ALL OF THEM!!!"
69
@GHOST42738 · 7 years ago
hating on transformers on a whole new level
1.2K
@nateds7326 · 6 years ago
I love how in 2015 we got the hateful eight, a movie shot in 2:76:1 super wide screen because its an old timey movie and that's an old timey format. Then in 2019 we got the lighthouse which was shot in black and white on <a href="https://www.youtube.com/watch?v=BdPsyLtlamM&t=79">1:19</a>:1 which is super narrow almost tall, also because they wanted to get an old fashioned look. Both films wanted an old look but used completely different aspect ratios to do it.
68
@weswiseman1233 · 6 years ago
I never really realized catching fire's aspect ratio changed. Never something I actually noticed, but it's effect for the movie really did work.
33
@KevinSupreme_PH · 4 years ago
<b>1.33</b> or <b>4:3</b> = academy ratio.<br><b>1.43</b> = golden ratio.<br><b>1.5</b> or <b>3:2</b> = vistavision.<br><b>1.66</b> = European widescreen<br><b>1.85</b> or <b>1.9</b> = cinema flat<br><b>2:1</b> or <b>18:9</b> = univisium<br><b>2.20</b> = super panavision<br><b>2.39</b> = cinema scope<br><b>2.55</b> = cinerama<br><b>2.76</b> = ultra panavision
207
@perditusthornatus4750 · 6 years ago
I can now never unsee this.
11
@cocobos · 6 years ago
2020, there's new aspect ratio, <a href="https://www.youtube.com/watch?v=BdPsyLtlamM&t=556">9:16</a>!
269
Up next

There is acting, but then there is also this....
Lofi Cinema · 1.9M views

Cinematic Color in Storytelling | Tomorrow's Filmmakers
Tomorrows Filmmakers · 361K views

Aspect Ratios in Relation to Film and Sensor Sizes: Part 1 - Analogue Film
Alex's Film Junk · 5.3K views

Why Movies Just Don't Feel "Real" Anymore
Like Stories of Old · 6.3M views

8 Steps to Cinematic Lighting | Tomorrow's Filmmakers
Tomorrows Filmmakers · 3.1M views

The Changing Shape of Cinema: The History of Aspect Ratio
Filmmaker IQ · 580K views

What is an Anamorphic Lens — Anamorphic vs Spherical Lens Explained
StudioBinder · 770K views

Aspect ratios explained | How do aspect ratios work? | Why do some movies and shows have black bars
Movie University · 100K views

Roger Deakins on How to Choose a Camera Lens — Cinematography Techniques Ep. 8
StudioBinder · 922K views

Beginner vs Oscar Winning Actress (Same Scene)
Tristan Spohn · 616K views

Choosing The Right Aspect Ratio For Your Film
In Depth Cine · 157K views

How to Survive the Death of the Internet
Fractal Philosophy · 250K views

8 Steps to Cinematic Movement | Tomorrow's Filmmakers
Tomorrows Filmmakers · 1.1M views

AI Expert WARNS: "You're Not Ready For 2027"
The Diary Of A CEO Clips · 1.8M views

Making THE ODYSSEY
Rory Anderson · 673K views

8 Steps To Improve Your Audio | Tomorrow's Filmmakers
Tomorrows Filmmakers · 339K views

Lessons from the Top Film Editors
This Guy Edits · 1.6M views

Cinematographer Explains 3 Different Camera Lenses | Vanity Fair
Vanity Fair · 820K views

Film Formats Explained — A Guide for Filmmakers & Film Fans
StudioBinder · 124K views

Joker Cinematographer Explains The Impact of Color in Film | Vanity Fair
Vanity Fair · 1.4M views

8 Steps to Cinematic Composition | Tomorrow's Filmmakers
Tomorrows Filmmakers · 3.5M views

Rick Rubin: The Only Skill That Matters Now Is The One Thing AI Can Never Steal!
The Diary Of A CEO and Tetragrammaton with Rick Rubin · 2.5M views

Aspect Ratios with Sinners Director Ryan Coogler
Kodak · 1.1M views

How Lighting Ratios Change Moods in Filmmaking
wolfcrow · 1.3M views

Visual Storytelling 101
Film Riot · 2.3M views

The Difference Between Anamorphic And Spherical Lenses Explained
In Depth Cine · 2.3M views