IL “PASSAGGIO” (PART 2)-JONAS KAUFMANN AND PAPPANO (enable subtitles-in several languages)
194K views · May 20, 2018 · Film & Animation
Comments · 288
@jaykudjo · 5 years ago
The more you think about it the more harder it becomes
81
@lenevehorne532 · 2 months ago
I love Kaufmann’s voice when he’s not trying to swallow his sound
7
@gregoryg6999 · 2 years ago
Thank you Father in the Name of your Son
4
@johndoe8114 · 7 years ago
“How do you do that haha no really how do you do that?” SAME
46
@mariaannakokos3580 · 3 years ago
❤Isteni adottság+tudatos,kemény gyakorlás+igazi férfiszépség = JONAS KAUFMANN❤
5
@Ninaz3 · 7 months ago
Pappano excellent conducteur ❤❤❤
2
@flyboy712 · 1 day ago
The way to handle the passagio is to, at first, when you are practicing, change to falsetto voice. As you do it more and more, You open inward and downward and amplify your falsetto, making it stronger and stronger. It’s like working out with weights. After a while, your falsetto can be pushed to great volume, and is quite easy to slip into.
@Beadle_Bamford · 5 years ago
Sir Thomas Allen teaching Pappano to sing! Fantastic!
24
@editamesones9990 · 3 years ago
JONAS KAUFMANN MAGNÍFICO!!!INTERPRETE MARAVILLOSO!!!👏🎶💖👏🎶💖👏🎶💖👏🎶💖👏🎶💖👏🎶💖👏🎶💖
4
@GlennAustin829 · 7 months ago
He sings so differently than how he normally talks
2
@marcorimediotti4283 · 3 years ago
Passaggio dalla gola alla gola!!!
1
@wotan10950 · 5 years ago
Diminuendo on the high notes is very difficult, and many tenors can’t or won’t bother. Corelli was also a master of the high-Bb diminuendo, and so is Kaufmann. Pav and Vickers resorted to crooning, Domingo simply couldn’t do it (although they were all great in their own way).
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