The Sir Duke chord EXPLAINED
174K views · Sep 21, 2026 · Education
Comments · 291
@cyandinomashups · 8 days ago
The flat 5 minor chord works because it's in the key of life
193
@hansvandermeulen5515 · 9 days ago
"How d'you mean the tritone sounds ominous? It sounds funky! Get this!"<br>-Stevie Wonder
151
@spyderlogan4992 · 9 days ago
For David to feature this album's songs and incredible chord progressions is a great service to music lovers worldwide. Stevie Wonder is One of One.
49
@Monedgar123 · 7 days ago
College music theory, teacher here, you’re right you’ll never find this in a textbook with the possible exception that voice leading chords are sort of a garbage can category and it might actually cover this a little bit.<br><br>However, I’ll be teaching this chord this year to my students thank you David for all your good work!
8
@wreckingrow6566 · 9 days ago
I've always found many opportunities to use tritone subs that are minor instead of dominant. Basically a chromatic approach from above in any flavor - even major 7 works. I started doing this because of Sir Duke!
97
@crimfan · 9 days ago
I learned the bass line "Sir Duke" on a fretless. It's was a great workout!
39
@Charlie-mx6uj · 9 days ago
A week of David Bennett and Stevie Wonder? I have ascended
38
@riordanskt · 18 minutes ago
Brillaint lesson. Brilliant teacher. Thanks once again David, you're the best!!!
@keithklassen5320 · 9 days ago
I'd look at Golden Lady in another way. This is maybe a bit caveman, but he's kinda just stepping the chord roots up a whole step each time, which puts us slightly in mind of a whole tone scale.
21
@bcs1793 · 9 days ago
That's the thing with Steely Dan and Stevie Wonder - their songs blend very well with pop music but once in a while you just get a "huh, what is going on there". <br><br>While with the Beatles/Radiohead, you immediately notice that there is something weird going on in the entire song. <br><br>Which, of course, is not to say that the former are better than the latter, just that you can immediately tell when the latter are experimenting.
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@harry_the_sinner · 9 days ago
I hear a high pedal "G" note played through Golden Lady , i think this also glues the chords together. Because it s in all the chords except the Fm7
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@AnAmericanComposer · 9 days ago
I would argue Golden Lady is in G minor, not Eb, which does make the progression much less alien, too. A simple bVI–bVII–i walk up, followed by a ii–V, modally interchanged with the linear G Major. It's less common to see modal interchange where minor borrows from Major, but this is a great example of it, kind of "brightening up" the more austere iiø–V or the far too dramatic bII–V (TT sub)
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