Oil Painting Lesson - Smooth Flesh

Comments · 139

• LE

  @Leelooconnection · 1 year ago

  Thank you for sharing your calm energy when the world is a bit crazy. Let's have more calm, creative voices! ❤

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• ST

  @stephendufort4154 · 2 years ago

  I was taught by an Italian artist , Frank Covino ,in the USA, who taught his students a method of LEANARDO dI Vinci ....the underpainting , was in charcoal and ,perfect ,with careful value , realistic, then a VERDACHIO greenish first.... can't spell it all correctly ,but I AM SURE you know what I mean, this under painting , was done with chromium Oxide green , graded in ten values light to darkest , and perfect as one can , and finally the color , done a third time , each color in 10 values , no complimantaries mixing , pure color and mixed with neutral grey also with ten values ,all pre made , so that underpainting and finally colors were ready , before each layer was started. Which makes for clean painting .You can find under franks name some of his painting on YouTube

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• NI

  @nigeltailwind · 2 years ago

  Bless you for having this passion and sharing it with the world. Bringing beauty  into existence is so heavenly.

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• JW

  @jwanmuhamed9593 · 2 years ago

  This video is priceless especially for self taught artist like me 😁, the small critical tips lies in long video details which is very very important. and don't worry about your language, it is very clear and understood specially by non- English speakers. I much appreciates the effort you put in this video, waiting with interest for the next video👍

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• AS

  @ASDasdSDize · 2 years ago

  I don&apos;t know what you are struggling with at the moment, but I had to thank you for showcasing your work even through the hardships you currently face.<br><br>This is stunning and very helpful as well. I always come back to your videos to really cement into my brain the entire process of creation from start to finish. With apps like Instagram, which showcase short-form videos, its easy to fall into comparison of how long it takes me to complete something versus another artist&apos;s work. These videos remind me of the truth: hardwork, dedication and time always pay off. <br><br>Thank you again.

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• CR

  @CryptoPhoenix777 · 2 years ago

  would be nice to see you doing the mixes and colors you use

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• SH

  @sheabee8406 · 2 years ago

  I am in awe of this work you accomplished. &nbsp; Thank you for caring enough to keep going and going. &nbsp;It was amazing watching the different stages.

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• RY

  @ryouakim · 2 years ago

  Thank you for a very informative video. <a href="https://www.youtube.com/watch?v=bzDMFfJOSCg&amp;t=4035">1:07:15</a>

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• AN

  @antoniaiaccarino8656 · 2 years ago

  Carissimo Antonis, ti seguo da tempo e finalmente trovo l&apos;occasione per ringraziarti non solo per la generosità con cui ci guidi nel lavoro, ma anche per i tuoi consigli sempre così pieni di sincerità e saggezza: nessun altro come te mi dà l&apos;energia e la forza di mettermi al lavoro anche quando sono scoraggiata. Credo che il tuo talento non stia solo nella tecnica pittorica, ma anche nella grande umanità e nell&apos;autenticità della tua comunicazione. Davvero grazie di tutto, sei davvero una bella persona e il tuo canale è prezioso. Grazie

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• JA

  @jamesminnis2006 · 1 year ago

  I&apos;m a regular youtube watcher but this is the first 2 hour watch I have ever done, truly inspirational and meditative watch....

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• AS

  @Ashkan55628 · 2 years ago

  I cannot wait for Salvator Mundi you are going to post it here and see which techniques you used and how it turned out. When you will post it? Thanks for informative content!

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• CY

  @cyclesofbeing6473 · 2 years ago

  I&apos;m very glad, that I found your channel and beeing able to see someone still performing this technique. Actually you are the first person I see still working with this particular tempara technique. <br>It is very interesting for me, because I work a lot with very similar techniques. I studied the work &nbsp;of Hans von Mareés a lot and wrote a book about his painting technique. In some stages of his work he is using a very similar tempera technique. I reconstructed a big Triptych of Mareés which was lost after 1945 using a very similar technique. <br>I didn&apos;t know Corregio was working in a similar way too. Great work with a lot of deepth! You don&apos;t see that often today!

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