Renaissance Mysteries by Michael Price (lecture at Kremer Pigments)

Comments · 29

• PH

  @phillipstroll7385 · 3 years ago (edited)

  So sad that the camera didn't move with him. Otherwise great lecture and we are privileged to get to see it. Thank you.

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• RO

  @romulusbuta9318 · 5 years ago

  I love : Memling, van der Wayden, van Eyck....and allmost all the painers from 1400 ❤️❤️❤️❤️❤️🧡💛💚

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• LI

  @liliekitsh · 4 years ago

  Really stunning work! Thank you so much! I don't paint with oil, just with arabic gum ,sometimes with honey and water, but love this hard work he do!!!

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• SU

  @susanavenir · 5 years ago

  This has prompted a lot of reflection and further study. I'm back to watch it a third time. (It's a pleasure to listen to, too.)

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• TE

  @teddyofparis · 3 years ago

  Thank you very much! Great work and presentation! Now, I will have to go back through all that, maybe buy the books, but it's very inspiring!

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• FE

  @ferretace · 9 years ago

  I'm thankful for guys like this.

  11

• US

  @user-pe2lw1ze8i · 6 years ago

  I wish the camera person panned in on the blue . he walked away for a second...  I need to see it!

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• LA

  @Lanternamagika · 7 years ago

  Fascinating talk and such a nice witty teacher. But the icing on the cake is when the &quot;camera guy&quot; discovers at around <a href="https://www.youtube.com/watch?v=bdyWVpgCAko&amp;t=3213">53:33</a> that his tripod does actually have a panoramic head! Too bad we all had been left staring at the wrong wall for &nbsp;ages while the orator was explainin (and showing the audience) wonderful things off camera. Shame on you Kramer Pigments, for not shelling out a few bucks &nbsp;and have a real camera person behind the camera!

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• DY

  @dynomax101 · 7 years ago

  I&apos;ll pass on orpiment and realgar, thank you very much. Poisonous and too reactive. The others, for the most part, are fine to use. The genuine mineral grinds can produce very varied and interesting effects not generally available in modern synthetic pigments. However, I will gladly use both generations of colors because I want variety in my work.

  4

• PA

  @paulwhite760 · 6 years ago

  that was excellent...I am going to get those 2 volumes.

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• RH

  @rheeprice · 9 years ago

  Great lecture for the overview of the monumental documentation!

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• LS

  @Lsalvatore · 8 years ago (edited)

  Expected more out of this lecture. National Gallery has hundreds of technical bulletins where they list all the pigments, mediums and resins found in classical paintings, so I wish Price had mentioned that instead of disregarding them and saying chemists don&apos;t tell you what pigments are used. As I have been looking into sites like Natural Pigments and reading about specific materials and techniques used, I wish more discussion was spent on that and less on triangles. Still, Price kept me engaged the whole time and I&apos;m sure he is a pleasure to speak with in person.

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