Joe Kubert's World of Cartooning Super Villains

Comments · 30

• TH

  @theboredtrucker3898 · 4 years ago

  The ease with how he does his initial layout is incredible.

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• DD

  @dda_toi · 5 years ago

  This is such an amazing gift to see Mr Kubert draw.

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• KE

  @KevinWolffArt · 5 years ago

  I can't believe these are available for free! I paid full price for a few of them years back and it was totally worth it. Best lessons you'll find for comic drawing.

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• SA

  @saultricoche6918 · 5 years ago

  The background music transported me to Saturday's morning cartoons

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• JU

  @judgecohen1373 · 5 years ago

  Mr Kubert was a master of the artform. Thank you for making these available.

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• UT

  @utlanning117 · 1 year ago

  I love the RPG music

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• BO

  @bozoclown2098 · 1 year ago

  Kubert and my malpractice doctor look alike. Surely many people look like them .

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• LY

  @lyla.of.the.fae_official · 5 years ago

  This was an incredible lesson. Thank you so much!

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• 8A

  @8Aorlando · 2 years ago

  The strategy of Outline and Ink. (1 Chronicles <a href="https://www.youtube.com/watch?v=95eEVwuGP2Y&amp;t=1691">28:11</a>)<br><br><br>By scribbling and outlining a sketch, we are busy characterizing (creating or defining) what each detail of the figures (characters design) and background are.<br><br><br>Inked detailing, we are concerned with characterizing (creating or defining) each detail of the figures (character design-style) and background (background design-style).<br><br><br>In the sketch, scribble and scratch because lines represent the details of shapes (mechanical design-style), figures (character design-style) and background (background design-style).<br><br><br>The lines are exclusive to the sketch (scribbled in pencil and outlined with a mechanical pencil).<br><br>Soft lines due to using pencils.<br><br>Hard lines due to using a mechanical pencil.<br><br><br>When inking, use strokes for<br><br>which through the lines represent the details of the shapes (mechanical design-style), figures (character design-style) and background (background design-style).<br><br><br>Schema (wireframe and layout) defines the gesture of the drawn figures and backgrounds.<br><br><br>&quot;Volumes&quot; defines the building blocks (geometric figures) of the details, shapes (mechanical design-style), figures (character design-style), backgrounds (background design-style) and images (underground design-style) drawn.<br><br><br>Sketching is scribbling and outlining the shapes (mechanical design-style), figures (character design-style) and backgrounds (background design-style) drawn.<br><br><br>Inking is drawing detailed ink of shapes (mechanical design-style), figures (character design-style) and backgrounds (background design-style) drawn with a brush pen, paintbrush, feather, technical pen or copic marker.<br><br><br>Takehiko Inoue design-style ink:<br><br><br>It starts with the shadow patches (own and self-designed) inked freehand with a brush №0 (Natural Bristle), moves on to the hatches inked freehand with a brush №0 (Natural Bristle) and ends with the hand-inked strokes -free with brush №0(Natural Bristle).<br><br><br>First comes the stains painted with imported brush № 0(Natural Bristle).<br><br><br>Second, comes the hatches inked with imported brushes № 0 (Natural Bristle).<br><br><br>Third, comes the strokes inked with a set of imported brushes № 0 (Natural Wax).<br><br><br>The indirect order: the steps can be interchanged. (Ezekiel 43:10-11)<br><br><br>Strokes are short contour and internal lines, contours and surroundings, to details of shapes (mechanical design-style) and figures (character design-style) and background (background design-style).<br><br><br>Dip only 1/3 of the brush bristles under the India ink surface in Pilot Black 30ml Fountain Pen Ink.<br><br><br>When the ink drops 1/3 into the bristles, dip, refilling the 30ml Black Pilot Fountain Pen Ink up to 1/3.<br><br><br>Kentaru Miura Design-Style:(Isaiah 55:9)<br><br><br>Exact lines and strokes.<br><br><br>Replace internal lines with seamstress and criss-cross hatches.<br><br><br>Drawing action scenes:<br><br><br>Contour lines become hatches of movements.<br><br><br>Motion hatches turn into motion lines.<br><br><br>How do I turn lines and hatches into motion lines?<br><br><br>Through redesign, the drawing was retraced.<br><br><br>1) Take an A3 tracing paper with your fingers, overlap it on the drawing paper with your drawn design.<br><br><br>2) Fasten with a clip between both papers.<br><br><br>3) Redraw on tracing paper in order to replace the contoured and internal lines and strokes of details, shapes (mechanical design-style) and figures (character design-style) drawn with contoured and internal lines and strokes of movement.<br><br><br>4) Retrace all the details, shapes (mechanical design-style), figures (character design-style) and backgrounds (character design-style) using lines and strokes of contours and internal movements.<br><br><br>Kim Jung Gi design-style:(Amos 3:7)<br><br><br>Draw lines without removing the tip of the brush pen from the ink drawing paper.<br><br><br>Joe Kubert design-style:(Proverbs 15:22)<br><br><br>Brush №0 for drawing shapes and patches of own and self-designed shadows of figures (character design-style) and backgrounds (background design-style).<br><br><br>G pen for drawing details, figures (character design-style) and backgrounds (background design-style).<br><br><br>Snake pen for drawing hatches of figures (character design-style) and backgrounds (background design-style).<br><br><br>Training (strengthening) drawing from memory using photographic references.<br><br><br>Take an A3 tracing paper, take 2 or 3 photographic references.<br><br><br>Place A3 tracing paper over the photographic reference.<br><br><br>Transfer the photographic reference onto A3 tracing paper.<br><br><br>Photographic Documentation:<br><br><br>Use photographs of real and historical locations and places as references to draw the illustration of shapes (mechanical design-style), figures (character design-style), backgrounds (backgrounds design-style), images (undergrounds design-style) and maintain the verisimilitude with the real world.<br><br><br>Get details from illustrated encyclopedia photographs: you can&apos;t fake details.<br><br><br>Always go to your photo reference files to get real examples of what you want to draw because you know that backgrounds (background design-style) and objects (mechanical design-style) don&apos;t look real when you try to make them up.

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• 8A

  @8Aorlando · 2 years ago

  The Four Mechanical Design-Style(2 Chronicles <a href="https://www.youtube.com/watch?v=95eEVwuGP2Y&amp;t=1575">26:15</a>)<br><br>Mechanical Design-Style of backgrounds(background design-style): kinetic architectures(with mechanically articulated architectural elements) with forms of technological devices and functions of social, educational, political, religious or economic devices(commercial, industrial or extractive).(2) Chronicles <a href="https://www.youtube.com/watch?v=95eEVwuGP2Y&amp;t=1575">26:15</a>)<br><br>Mechanical Design-Style of figures (character design-style): social robots (communicative and interactive) and claytronic human-machine interfaces. (2 Chronicles <a href="https://www.youtube.com/watch?v=95eEVwuGP2Y&amp;t=1575">26:15</a>)<br><br>Mechanical Design-Style of forms(creature design-style): automotive, aerospace and naval claytronic vehicles(means of transport and locomotion).(2 Chronicles <a href="https://www.youtube.com/watch?v=95eEVwuGP2Y&amp;t=1575">26:15</a>)<br><br>Mechanical Design-Style of details (custom design-style): fashionable clothes, costumes, hairstyles, footwear and cybernetic utensils. (2 Chronicles <a href="https://www.youtube.com/watch?v=95eEVwuGP2Y&amp;t=1575">26:15</a>)

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• 8A

  @8Aorlando · 2 years ago (edited)

  About conceptual design project(1 Chronicles <a href="https://www.youtube.com/watch?v=95eEVwuGP2Y&amp;t=1691">28:11</a>-13)<br><br>1 Trait: 1 drawing construct.<br><br>Dash design-style: sinuous, curved, elliptical arc or serpentine.<br><br>Draw curves (dashes) on a line (contour or internal)<br><br>Draw sinuous Sierpinski &quot;S&quot; shapes over curves (dashes) in a line (contour or internal).<br><br>Draw sierpinski curved serpentine over curvilinear sinuous in line(contour or intena).<br><br>1 Trait: 1 drawing construct.<br><br>Stroke design-style: straight, angle (corner), fold (corner) or straight serpentine.<br><br>Draw straight lines (strokes) on a line (contour or internal)<br><br>Draw Sierpinski angles (corners) on straight lines (dashes) in a line (contour or internal).<br><br>Draw sierpinski folds (corners) over rectilinear sinuous lines (contour or inner).<br><br>Creation of conceptual (idealistic) drawings of composition in project (design) and style (art) graceful and mild or bold and aggressive: (Exodus 35:31-35)<br><br>Detailed or hyper-realistic line:<br><br>The line follows its function in the conceptual (idealistic) design project.<br><br>Line detailing following your design style.<br><br>Detailed or realistic and naturalistic stroke:<br><br>The line follows its function in the conceptual (idealistic) design project.<br><br>Detailing of lines following your design style.<br><br>For example:<br><br>&quot;Spaghetti&quot; web and &quot;cirrus spissatus&quot; web, sweeping and dredging net of the Spider (the True Prophet).(Habakkuk <a href="https://www.youtube.com/watch?v=95eEVwuGP2Y&amp;t=75">1:15</a>-16)<br><br>The texture and shape of the cloud has a flocular (cotton) appearance.<br><br>The entire cirrus spissatus cloud is a colloidal system (complex, structure) (ice ridges).<br><br>The cirrus spissatus cloud structure is an opaque (coiled) fractal.<br><br>The cirrus spissatus cloud chunks are a translucent(impasto) fractal with semi-transparent edges in sierpinski curves(contours).<br><br>The cloud chunks are a transparent(flat) fractal with transparent edges in sierpinski curves(contours).<br><br>The cloud body is the opaque(folded) structure of the cirrus spissatus cloud that divides(fractalizes) into larger translucent(pasted) structures with spatial gaps(three-dimensional) between them.<br><br>The transparent structures are divided (fractalized) into transparent (flattened) cirrus spissatus cloud structures with spatial gaps (three-dimensional) between them.<br><br>Web &quot;spissatus&quot; of the Spider (the True Prophet): the carded threads are opaque (white), the filaments are translucent (semi-transparent white) and twisted (entangled) cables (web ropes) are transparent (transparent white). (Job 7 :6; Psalms 16:6)<br><br> The diffracted light takes(illuminates) the place(shadowed surface) of the shadow of the &quot;spissatus&quot; web, at the same time that the diffracted shadow takes(shadows) the place(illuminated surface) of direct(diffuse) light in the &quot;spissatus&quot; web .<br><br>Format is volume (framework) of shape.<br><br>For example: a huge Tyrannus Rex dinosaur head with the shape of an ark measuring one and a half meters.<br><br>Figurato is the volume (framework) of a figure.<br><br>For example: the body of a Tirano Rex dinosaur with a lifeboat figure for a ship measuring more than seven and a half meters high, 12 meters long, from nose to tail.<br><br>Detail is volume (framework) of detail.<br><br>For example: Tyrant Rex&apos;s scaly scalp with hood detail (protective cape) joined to the scaly superciliary orbicularis above the bulged bottoms of the eyes.

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• KL

  @kluska.comics · 5 years ago

  Thank you!

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