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The Black Box of the Art Business

773K views · Feb 1, 2019 · Entertainment

Comments · 818

  • @letsif · 2 years ago

    Breaking into this place would make a really good heist movie.

    61

  • @PumpkinBecki · 2 years ago

    So incredibly depressing that these works of art are hidden away in places like this, seen as framed money instead of something beautiful to be seen and enjoyed.

    62

  • @chigal0926 · 7 years ago (edited)

    This is incredible.  That storage facility has hundreds of pieces of possibly stolen art.  That's why there's no real accounting; it's to keep people away so no one questions what's really inside that facility.

    132

  • @Mhe620GO1 · 6 years ago

    I've been driving almost on a daily basis by it and never imagined what could be inside. Thought it was just a regular import/export facility.

    39

  • @robolinoschmidt8676 · 7 years ago

    The luxury version of storage wars

    231

  • @DB-bc1tg · 5 years ago

    There's always been something very fishy to me about art prices in general.

    50

  • @turquoisegreene9625 · 7 years ago (edited)

    Well... what did you expect?  Safeguarding criminal's asses and assets has been Switzerland's job for 500 years now. That's why they are neutral. The criminals in power will never touch the place where their precious assets are.

    50

  • @louisc.gasper7588 · 7 years ago

    Watching this, I start to feel some empathy with the forgers who fake the work of great artists and sell the fakes for fabulous sums to super-rich crooks.

    93

  • @faycastle8732 · 6 years ago

    There is nothing quite like excessive greed!

    16

  • @jessewaughcom · 7 years ago

    Hugely informative and revealing documentary!

    92

  • @fobbitguy · 7 years ago

    Seems the perfect place for the stolen art pieces from the Gardner museum in Boston to hide.

    95

  • @dragonlaughing · 7 years ago

    The billionaire chisels. If the dealer buys for himself and then offers to the collector, there is no fiduciary duty to the collector. The dealer takes the risk of buying and had the risk that he must stand behind the work for authenticity. The collector could have paid for an agent if he wanted to take those risks for himself. And, if chosen, his agent might not have the same access to art works

    5

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